Mostrando entradas con la etiqueta Cuentos argentinos en inglés. Mostrar todas las entradas
Mostrando entradas con la etiqueta Cuentos argentinos en inglés. Mostrar todas las entradas

The Prince of Transylvania - Luciano Doti




Texto en español en Letras de Horror: "El príncipe de Transilvania".

Traducido al inglés

A medieval legend tells us that a young Turkish man once found a lamp as he walked the country, and after rubbing it, a genius appeared and said him:
«Tell me what you wish for»
«I wish for a magic carpet to fly where I want, and that my blood were immortal»
The genie gave him the two things, and in one of his travels, the Turkish man went to the limit of Otoman Empire, in Transylvania. There he was attacked by a prince who regularly impaled the invaders and drank their blood. The Turkish man died, because, despite the fact that in his veins circulated the immortal blood, his body could not endure being crossed and wounded by a wood lance. The prince got the immortality and continued with his habit of drinking blood, but instead the Turkish man, he was cautious to never be crossed by some wooden object.

A mother of new men… - Violeta Balián



Texto en español en "Madre de nuevos hombres".
 
 Traducido al inglés por Translation: N. Beredjiklian
ARS LINGUA

 “Oh, Vishnaks! Glorious, winged race. Hear the summons of the Immortals and their demand for sacrifice!  Time is running out. The fate of the hominids is cast; they will succumb to the waters, the ice and the millenary sleep that will eliminate all traces of life from the face of the Earth.  Do heed the gods!  Join the earthlings and engender hybrids with them to bring forth a new race of men that will survive thousands of years and be reborn during the meltdown.  Only then will Earth become your natural dominion,” exhorted the Seer.
I listened attentively. I had never given thought to the cycles ordered by the gods. This time, however, and fully aware I´d perish in the intent, I got excited with the notion of becoming a “mother of new men.”  And I trusted Lesq, the warrior assigned to accompany me.  It was he who requested the scientists to hand me the singular product of their experiments, a chimera with a dog’s head, soft eyes, long porcine snout and tarantula-like extremities designed to disperse the genetic codes encapsulated in its organism.  Overcome by love and compassion, and not minding their instructions nor my family already giving me a heroine’s farewell, I held it between my wings. Together, we traveled countless distances before entering a new air, translucent and naked. We rested on a beach under the scorching sun.  I folded my wings and stayed there the whole of three days, curled up, face down on the sand, the chimera cooing by my side.  On the fourth day, Lesq showed up bringing instructions from the Seer.  We were to take different paths.  His task was to impregnate as many female hominids as possible; mine, to comply with the orders received back home.  ‘Only then you’ll be able to gestate hybrids,’ he admonished.  In anguish, I flew over the dryness and solitude of the valleys until I landed on a mountain top from where I made out green fields, villages, towns and smoke, vestiges of ancient hominid empires.  I hesitated but following an impulse, extended my claws, grabbed the chimera, started an uneasy ascent and dropped her on a field.  Without pause, I continued my way to the cities, their towers and peoples, aroused by the essence of my mission: to produce a new race of men and then, perish.


A screenplay sketch - Pablo Martínez Burkett


Texto en español en El Eclipse de Gyllene Draken: "Un boceto de guión".


Traducido al inglés por Violeta Balián y Pablo Martínez Burkett

 

The being that I had with me in the seat was no longer my 
lifetime friend. It was a monstrous creature that seemed to come 
from sidereal space and radiated unknown and unhealthy forces.
H. P. LovercraftThe lurker at the threshold


FROM A NOTEBOOK of director Jack Arnold: poultry and other farm animals begin to disappear in a village of Louisiana. A few weeks later, pigs and cows meet the same fate. Some children say they saw a misshapen being wandering through the marshes. It does not take much to make him responsible for the misfortune. Locals prepare and arm hunting parties. Boats ply the waterways. Torches illuminate the swamps. But neither the hounds are able to trace the abominable hunchback. And the incident is attributed to a juvenile prank. Calm seems to return for a while but suddenly an invasion of mosquitoes attack humans and beasts. People lose their pets. First was old Mc Donald’s guide dog. Later, "Precious", the poodle that belonged to Jamie Gumb, the dressmaker. Even the orphans Flora and Miles’ guinea pig vanishes. Calamities do not cease. Fish, frogs and alligators abandon channels and marshes. Rev. O'Hara announces the imminence of the Second Coming. People experience severe behavioral disorders and many bloody events occur. Sheriff John T. Chance is overwhelmed. The Federal government sends in the National Guard. They implement a curfew and a rigorous cord 5 miles around. All pacification attempts fail while news of similar events in Tierra del Fuego, Uganda, Siberia and Canberra keep on coming. Villagers engage in acts of cannibalism. Professor Zellaby believes he’s discovered a vaccine but time is short because Mayor Schaeffer is determined to use a laser cannon to get rid of the so-called "Plague of Torrance Town." Kay Lawrence, the beauty queen volunteers to experiment the serum. The test is successful, and the few survivors advance to the barricades. Soldiers give a warning and then open fire to eradicate the danger of contagion. An unusual lightning illuminates the sky. Inside a flying saucer, a deformed being takes notes: "wildlife fit for consumption but mosquitoes transmit our virus to indigenous species. Demographic catastrophe is ahead".


Secret weapons of the third Reich - Pablo Martínez Burkett



Texto en español en El Eclipse de Gyllene Draken: "Las armas sectreas del III Reich"
 
Traducido al inglés por Violeta Balián y Pablo Martínez Burkett

Records were deliberately erased. All evidence, discredited. And the existence of the Alpenfestung, the Third Reich´s national redoubt in the Bavarian Alps — where gold and secret weapons were stored —denied and its defense entrusted to elite troops. The general consensus had it that this was World War II´s best hoax; another trick of Joseph Goebbels. All through the years, they acquiesced the conspiracy theorists would hatch their fables. The truth, however, was quite different. In April 1945, the fortress was found by a Russian patrol. Streaks of blood stained the rugged topography. They encountered unthinkable horrors and nights filled with cries, shots, tears, and macabre laughter. Their pleas for aid, tanks, artillery and troops exhausted the radio waves for the ferocity of the Waffen Grenadier Division der SS Rumänische led by the SS-Standartenführer from Transylvania was overwhelming. And by all accounts immune to bullets, swords, and bayonets unless the wound was made right into their heart or were decapitated. Thus, we, the attackers desisted and retreated amidst our many dead, victims of fatal bites. Meanwhile, in the nearby village, we tortured anyone not willing to provide us with information. Finally, a shepherd confessed we were facing a band of fanatical volunteers turned recently into vampires as a result of experiments led by Dr. Mengele himself who administered them their commander´s bite and made them insatiable monsters. Shipments of Jews, gypsies and prisoners of war served as sustenance. When a comrade from Wallachia gave us a remedy, the chaplain proceeded to turn the contents of all deposits and canteens into holy water. Next, he sanctified steel and ammunition and, in a hurry, forged crucifixes and other pious symbols. The assault was brutal. The orders were to take as many prisoners as possible. Ever since, I have been in command of a phantom division of the Red Army which has been ignored by all the organization charts. And because our own scientists conducted an abundance of experiments, we have been waiting now for over forty years, ready to extinguish this decadent capitalism, anxious to fill ourselves with their bourgeois blood. 




Witches night - Antonio Jesús Cruz




Texto en español en Ráfagas y parpadeos: "Noche de brujas"


Traducido al ingles por el autor



Blinded by panic, he pulled out the gun and fired repeatedly on the monster. Nobody had told him that night was Halloween.



My Friend Luke - Fernando Sorrentino




Texto en español en Badosa: "Mi amigo Lucas"

Traducido al inglés por Gustavo Artiles and Alex Patterson

Gustavo Artiles and Alex Patterson
Gustavo Artiles and Alex Patterson
Gustavo Artiles and Alex Patterson

I have a friend who must be the sweetest, shyest person in the world. His name is brittle and ancient (Luke), his age modestly intermediate (forty). He is rather short and skinny, has a thin moustache and even thinner hair on his head. Since his vision is not perfect, he wears glasses: they are small, round and frameless.

In order not to inconvenience anyone, he always walks sideways. Instead of saying “Excuse me”, he prefers to glide by one side. If the gap is so narrow that it will not allow him to pass, Luke waits patiently until the obstruction — be it animate or inanimate, rational or irrational — moves by itself. Stray dogs and cats panic him, and in order to avoid them he constantly crosses from one side of the road to another.

He speaks with a very thin, subtle voice, so inaudible that it is hard to tell if he is speaking at all. He has never interrupted anybody. On the other hand, he can never manage more than two words without somebody interrupting him. This does not seem to irritate him; in fact, he actually appears happy to have been able to utter those two words.

My friend Luke has been married for years. His wife is a thin, choleric, nervous woman who, as well as having an unbearably shrill voice, strong lungs, a finely drawn nose and a viperous tongue suffers from an uncontrollable temper and the personality of a lion tamer. Luke — you have to wonder how — has succeeded in producing a child named (by his mother) Juan Manuel. He is tall, blond, intelligent, distrustful, sarcastic, and has a fringe. It is not entirely true that he only obeys his mother. However, the two of them have always agreed that Luke has little to offer the world and therefore choose to ignore his scarce and rarely expressed opinions.

Luke is the oldest and the least important employee of a dismal company that imports cloth. It operates out of a very dark building with black-stained wooden floors situated in Alsina Street. The owner — I know him personally — is called don Aqueróntido — I cannot say whether that is his first name or his surname — and he has a ferocious moustache, is bald and has a thunderous voice. He is also violent and greedy. My friend Luke goes to work dressed all in black, wearing a very old suit that shines from age. He only owns one shirt — the one he wore for the first time on the day of his marriage — and it has an anachronistic plastic collar. He also only owns one tie, so frayed and greasy that it looks more like a shoelace. Unable to bear the disapproving looks of don Aqueróntido, Luke, unlike his colleagues, does not dare work without his jacket on and in order to keep this jacket in good condition he wears a pair of grey sleeve-protectors. His salary is ludicrously low, but he still stays behind in the office every day and works for another three or four hours: the tasks don Aqueróntido gives him are so huge that he has no chance of accomplishing them within normal hours.

Now, just after don Aqueróntido cut his salary yet again, his wife has decided that Juan Manuel must not do his secondary studies in a state school. She has chosen to put his name down for a very costly institution in the Belgrano area. In view of the extortionate outlay this involves, Luke has stopped buying his newspaper and (an even greater sacrifice) The Reader’s Digest, his two favourite publications. The last article he managed to read in The Reader’s Digest explained how husbands should repress their own overwhelming personality in order to make room for the actualisation of the rest of the family group.

There is, however, one remarkable aspect to Luke: his behaviour as soon as he steps on a bus. Generally, this is what happens:

He requests a ticket and begins to look for his money, slowly. He holds up one hand to ensure that the driver keeps waiting, unsure of what to do. Luke does not hurry. In fact, I would say that the driver’s impatience gives him a certain amount of pleasure. Then he pays with the largest possible number of small coins, which he delivers a few at the time, in varying amounts and at irregular intervals. For some reason, this disturbs the driver, who, apart from having to pay attention to other cars, the traffic lights, other passengers getting on or off, and having to drive the bus itself, is forced to perform complicated arithmetic. Luke aggravates the problem by including in his payment an old Paraguayan coin that he keeps for the purpose and which is invariably returned to him. This way, mistakes are usually made in the accounts and an argument ensues. Then, in a serene but firm manner, Luke begins to defend his rights, employing arguments so contradictory that it is impossible to understand what point he is actually trying to make. Finally, the driver, at the end of the last tether of his sanity and in an act of final resignation, chooses to throw out the coins — perhaps as a means of repressing his wish to throw out Luke or, indeed, himself.

When winter comes, Luke always travels with the windows wide open. The first to suffer as a result of this is Luke himself: he has developed a chronic cough that often forces him to stay awake entire nights. During the summer, he closes his window and will not allow anyone to lower the shade that would protect him from the sun. More than once he has ended up with first-degree burns.

Because of his weak lungs, Luke is not allowed to smoke and, in fact, he hates smoking. In spite of this, once inside the bus he cannot resist the temptation to light up a cheap, heavy cigar that clogs up his windpipe and makes him cough. After he gets off, he puts away his cigar in preparation for his next journey.

Luke is a tiny, sedentary, squalid person and has never been interested in sports. But come Saturday evening, he switches on his portable radio and turns the volume up full in order to follow the boxing match. Sundays he dedicates to football and tortures the rest of the passengers with the noisy broadcasts.

The back seat is for five passengers. In spite of his very small size, Luke sits so as to allow room for only four or even three people on the seat. If four are already seated and Luke is standing up, he demands permission, in an indignant and reproachful tone, to sit down — which he then does, managing to take up an excessive amount of space. To this end, he puts his hands in his pockets so that his elbows will remain firmly embedded in his neighbours’ ribs.

Luke’s resources are plentiful and diverse.

When he has to travel standing up, he always keeps his jacket unbuttoned, carefully adjusting his posture so that the lower edge of his jacket hits the face or the eyes of those sitting down.

If anyone is reading, they are easy prey for Luke. Watching him or her closely, Luke places his head near the light so as to throw a shadow on the victim’s book. Every now and then he withdraws his head as if by chance. The reader will anxiously devour one or two words before Luke moves back into position.

My friend Luke knows the times when the bus will be fully packed. On those occasions, he consumes a salami sandwich and a glass of red wine. Then, with breadcrumbs and threads of salami still between his teeth and pointing his mouth towards the other passenger’s noses, he walks along the vehicle shouting loudly, “Excuse me”.

If he manages to take the front seat, he never gives it up to anyone. But should he find himself in one of the last rows, the moment he sees a woman with a child in her arms or a weak, elderly person climb on board he immediately stands up and calls very loudly to the front passenger to offer them his seat. Later he usually makes some recriminatory remark against those that kept their seats. His eloquence is always effective, and some mortally ashamed passenger gets off at the next stop. Instantly, Luke takes his place.

My friend Luke gets off the bus in a very good mood. Timidly, he walks home, staying out of the way of anyone he meets. He is not allowed a key, so he has to ring the bell. If anyone is home, they rarely refuse to open the door to him. But if neither his wife, his son nor don Aqueróntido are to be found, Luke sits on the doorstep until someone arrives.



Publicado en inglés en Badosa 

Fernando Sorrentino 

Witches night - Antonio Jesús Cruz



Texto en español en Ráfagas y parpadeos: 23-Noche de Brujas

Traducido al inglés por el autor 



Blinded by panic, he pulled out the gun and fired repeatedly on the monster. Nobody had told him that night was Halloween.



GENESIS (Gene 1, 26) - Antonio Jesús Cruz



Texto en español en Químicamente impuro: "Génesis (Gen 1, 26)"

Traducido al inglés por el autor

(to Teresita) 

  

And  God said, “Let’s make man in our image, like us: and let him have rule over the fish of the sea and over the birds of the air and over the cattle and over all the earth and over every living thing which goes flat on the earth".

And God made man in his image, in the image of God he made him.

Since then, man wanders around the earth thinking he is God.


Antonio Jesús Cruz

 

The terrifying angel III - Daniel Frini




Texto en español en Breves no tan breves: "El ángel terrible III"

Traducido al inglés por Pablo Martínez Burkett 
 


Three
(Three of three)




The man revered Rainer Maria Rilke. 





 He looks for love as a homeland, with a very deep desire that it was like his childhood’s loneliness. "The only happy homeland is one formed by children" said Rilke in his Letters, remarking the need of looking for such happy homeland with the aim of finding ourselves, too much away of the faded and conventional adult world. The man fought back the tide of years and surrounded himself with grief ("The sadness is also a wave"). In spite of being locked into a indecipherable maze, he made superhuman efforts to get ahead ("Turn your wall into a stepping stone”). He was in places where the poet lived: Prague, Sankt Pölten, Worpswede, Paris, Duino. Any given day, when he has reached the age of fifty and more, he found his Lou Andreas-Salome, in Munich. Nobody knows her name but she was beautiful.
Then, they decided to follow Rilke’s footsteps, by Italy and Russia, Denmark, Sweden, Holland, Spain and Switzerland.


At first, they were lovers. In ceremonies that could last hours, his tongue crossed her whole skin, savoring flavors and smiling with her shivers. In return, she played with her mouth taking away imperceptible moans.



Love consists in this, two solitudes protect and touch and greet each other



Then she became his lover but also his friend. Anyway, her beauty, strengthened with a strange joy, grew up till be unbearable for him.



The beauty is the beginning of the terrible. Every angel is terrifying.



The man found love, his homeland and the loneliness of his childhood. She died. His tomb is in Rarogne cemetery in Valais. She rest a few yards away of poet’s.

Now the man looks out the window. Outside, tiny flakes announce the first snowfall of the year. Behind the bars, gardeners clean up the park lawn, which is care and yellow. A little yonder, behind the fence, cars go down the cold avenue, as much distant as if he was on Mars. The 5 p.m. nurse opens the door. The man did not even pay attention.



The terrifying angel I

The terrifying angel II


Doubt - Juan Romagnoli




Traducido al inglés por Natalia Bitar 


Doubt 

Once and again, Daniel wonders what reality is while he tries to hide the stolen objects in his persistent dreams of kleptomaniac under the bed. 



Duda



Daniel se pregunta, una y otra vez, qué es la realidad, mientras intenta esconder, debajo de la cama, los objetos robados en sus persistentes sueños de cleptómano.



Juan Romagnoli

Ani # 25 - Ana María Shua




 Como este texto pertenece a una edición bilingüe, se incluyen aquí las versiones en inglés y en español.

Del libro Quick fix, publicado por White Pine Press en el 2009.



 Traducido al inglés por Rhonda Buchaman


25



My dad’s not happy with me. He looks at me, more sad than angry, because he knows I’m keeping a secret from him. “You’re dead,” I’d like to tell him, but I’m afraid he won’t come back. 

25

Mi papá no está contento conmigo. Me mira más triste que enojado porque sabe que le oculto un secreto. Estás muerto, quisiera decirle. Pero tengo miedo de que no venga más. 

 En este blog: 

 
Ani # 1
Ani # 4
Ani # 6
Ani # 9
Ani # 12
Ani # 16
Ani # 19
Ana María Shua
 

Aurora borealis - Gabriela Baade



Texto en español en Químicamente impuro: "Aurora boreal"

Traducido al inglés por Héctor Ranea

My head is full of lights that undulate, wiggle. I searched at a Library what may those fireflies walks be due and I came up with a bunch of explanations.
The Inuit people believe the aurora borealis is a meander and very dangerous lane connecting with the sky. It is possible to climb it, but also is a down ladder for other spirits.
In Finland it is believed that those are the foxes tails running through Laponia, whipping in the ice igniting sparks.
Mine, instead, seems to be a problem in the eye, ruined up connections in the nerve going to the brain. Scintillating Scotoma, that what they have told me.
Meanwhile I lost myself within my internal lightning and run with foxes and I hail spirits ascending and descending. A lot more fun than cheap short circuits.

Publicado en inglés en Heliconia Flash Fiction and Short Stories
Gabriela Baade

Chavez and his devils - Gustavo Di Pace




Texto en español: "Chávez y sus diablos"

Traducido al inglés por Calla Smith

“The world not exist without meetings”
from Fernando, A Real Dog, by Hugo Ditaranto
Editorial Lumiere, Buenos Aires, 1997.


I


Chavez was a particular person; he always seemed surprised with his big eyes and useless lashes. His mouth a fissure in his face. He was tall and a little hunched, more than ever the day that he came to warn me.
"Fede, be careful. There are devils that come out of the little bathroom in the back."
"What?"
"Yes, there at the back, and sometimes they jump over the patrician wall and come into your house.
A confused feeling griped me. The heat was intense and the truth is that that afternoon I didn't think that my neighbor would call.
“Relax, Chavez, they must be gone by now."
"Yes, I know,” he said, not very convinced. "The problem is that lately they make a lot more noise, especially the smallest ones, with the long tail."
"The ones with the long tail?'
"Yes, and they knock against the headboard of my bed. They open the bags of cement and spread it over the kitchen, and on top of all that they eat the matches, the pests!"
"Chavez…"
"And that’s not all!" He interrupted me. "They laugh all the time, and their laugh rings in your ears….."
I didn't say anything. The old man was telling me about devils while I reproached the banality of my existence!
He started to take care of the house next to mine about two months ago, and the few times we stumbled apron each other, when he rang the doorbell to ask for a little sugar or a few dollars, I had never seen him so excited.
I don't remember what my arguments were to calm him down, but in a little bit he was better.
After that, the night passed without anything strange happening, just a reminder to close the windows, and a brief check of the patrician wall at midnight, which, Chavez told me, the devils could jump over.
I remember that I stood there for a second, with the strap of the blinds in my hand, trying to see between the cracks, beyond the trees and the plants and stonework.
Later, I went to sleep.
The next day, as though a rope pulled at my neck, I spent several hours pecking through the wall that separated the houses.
I wanted to spy on my neighbor.
Know that.
My eyes scanned the garden of the house and the small improvised bathroom in the back, made of wood and paneling with no door that you could see, and the toilet, like a stain on the floor, the hole that the devils came out off.
I looked uncountable times to see the old man, but Chavez never appeared.
Bored, I returned to the inner part of my house while I asked myself why my neighbor, a man from the country, Corrientes, Chavez had told me, had left.
Whatever the reason, Chavez was alone, and it must be difficult to work as a house-keeper in that house.
At night it was haunted. The darkness seemed to escape from the holes in the future windows and take over the screws and the sticks.
Inside, there was an unfinished stairway; further along, a door to nothing. Only one light blazed, alone, ephemeral, languid, the light of the candle in Chavez's room.





II
Around that time I heard that the old man didn't have a good reputation, he liked wine too much…and that he was homeless.
These mutterings didn't surprise me because they were partially true.
All the same, they didn't bother me, in the following months, Chavez and I talked a lot.
Over the wall, or in the sidewalk in front of the two houses, we would greet each other with a vague camaraderie and exchange a few words. In one of these meetings, he told me of his aversion to time.
"Well, it's the same for everyone,” I told him.
"Perhaps it’s a question of…" "No, no,” he interrupted me. "On top of that, you are an hour earlier than me."
He had an ability to harmonize my short days. There, sitting in the shade on a plastic chair that he brought from inside the house, his eyes full of surprise, he continued talking. "What did you say?,” I must have asked.
"Listen to me. Do I have to tell you everything twice?"
I remember that the people passed by and looked at him with distrust, and then at me with the same feeling.
"Don't get angry, Chavez, the thing is that it's hard to understand and…"
"That's why I want to explain it to you. Last night I set back the clocks; it was a decision that I owed myself; I set back the one that I have next to my bed and in the kitchen, that the old woman gave me.”
"But…it's as though you want to costume time!"
"Listen, I could live in the same time that you do, but I don't want to."
That summer afternoon I thought about Chavez's words. His hands waved in the air, drawing pirates and accompanying the conviction of his tone.
I asked again why he set back his clocks, why he fought against the time. But a grimace crossed his face.
I had hurt him.
It wasn't just the devils that bothered him. I was left with a feeling of repentance. I apologized, looking for his eyes, as though trying to make my excuses sincere in the physical world, too. But he only looked at me with sorrow.
We were silent. I don't know how much time passed, and I can't imagine what time it was in his time.
Looking around I told him suddenly how much it bothered me that my aunts gave me underwear and handkerchiefs for Christmas. Chavez smiled. Of course, it was an absurd confession, and while he stood up and turned around, he said that young people where swines and had no pity.
And the night was coming when the chat ended. And I remember that before leaving he had told me, with one hand in his mouth and as though it as a secrete:
"Do you know something, Fede? One hour isn't enough for me."





III
Many times I thought about Chavez and his words.
Even now, when I see the elderly that life lost, the solid repetition of the perverse cycle gives me chills. That cycle that in the loneliness that we deny all through life becomes irrefutable.
I remember the night that it happened.
I was enjoying my rest, the twisting between my sheets and the light of the moon like a witness between the curtains.
Suddenly: "Get out of there, damn it!"
It was just a shout, a shout like those that can't be described because only the person who shouted them knows about them.
And quickly afterward, invisible dogs materialized in fierce barks.
I joined in. I could feel my chest bulge outwards, blown up by my heart from the inside. I felt my way around the darkness and turned on a light and got up. I got to the door behind my house and looked at the wall separating us. Latter, I looked over, and I saw him.
With the brightness of the night over the ardent, Chavez, bending down behind a mountain screws, fights his battle.
"Now you are going to pay attention, pests!" he vociferated, and, with unforeseen strength, lifted a block of cement and threw it at his enemies.
I didn't know what to do. I was petrified in front of that man and his anger, and I got even more scared. Latter, in an incomprehensible time, Chavez, in his trench, snorted, and clenched his hand.
I called his name. He was suppressed. He looked everywhere with a certain suspicion in his eyes until he saw me and seemed to cheer up. So I climbed the parician wall, jumped, and went to went. I looked at Chavez. I saw his moist eyes. I saw him cry like a child.
"Come on, Chavez, its over,” I said.



IV
That night, I helped his go back to bed. That meant staying
with him so that the devils didn't come back to do their business. I saw how he set back the clocks (during the day he adapted to the time of everyone else.) And he did it every night, so that the darkness wouldn't come.
Then I stayed at his side until he fell asleep. He slept like an angel.
And while I went back to my house I tried not to make any noise, thinking not only about not injuring myself when I jumped over the wall, but also about the shortcuts. I thought about shortcuts that allowed me to get closer and by doing that understand Chavez.
It was a question of poking my nose in. Like a mole. I wouldn't choose the augment of the people or the option of a straightjacket, as many did: I dared the fears. I dared to imagine a possibility where his daemons stopped bothering my new friend.





V
There was no time to loose. When I woke up the next morning, the first thing I did was run to the back of the house and peep over the wall.
I looked for the house-keeper but I didn't find him.
"Chavez, Chavez!" I called. But nothing. No clocks set back, no hidden matches or nighttime battles.
This time, things would be different, I promised myself. I decided to go out and call the old man from the sidewalk. I rang the doorbell but he didn't answer. I went back later. Probably Chavez was doing something.
During the day I looked over the short wall several times, but the old man never appeared.
And so, I still remember, I climbed to the top and jumped.
I felt strange. Why had I done it? There I was in that home, without permission and because of that, so different. And if Chavez discovered me?
I walked to the inner part and inspected the place. A vertigo that only dreams provoked assaulted me. There were holes everywhere. I thought I was walking on the inside of an enormous piece of cheese. And everything was grey and there was a lot of dirt.
A few minutes later, I arrived at the room were the house-keeper slept. I knew because, seen from the distance, it was the only one with furniture. A rancid odder hit my nose as soon as I stepped in the door. Everything was thrown around, but when I stopped in the chaos, I realized that it wasn't a one of the funny cases of someone who didn't have orderliness as one of his virtues. I felt, and that is the exact word to use, that there was fear in all of those scattered objects. There was panic in those socks and those papers and the dirty sheets. There was fear on that wardrobe, in that lone mirror on the table without any light.
Suddenly, I heard a sound.
Perhaps it was Chavez, I thought. I was forced to hide myself, but where could I if the house was so empty?
Later, the terror hit me, and I see the devils arrive in he middle of the night and wake Chavez and he, afraid, screams and they laugh and throw everything on the floor and he starts to cry out of despair and, while some of them hand from the windows, a woman I don't know comes and scolds Chavez and he says yes and lowers his head while the devils flee, terrified of the woman with hard gestures.
And suddenly I see the curtains of the room pulled down and I run out and go down the stairs because I know I am not alone in the house. I know it like when you sleep and sense that there is something else, and when I escape I see the black stain on the floor off the bathroom in the back and I don't want to look but I look and I don't want to get closer but I get closer and I am surrounded by all of the flies and I look inside the latrine and I don't want to continue but I do and later I run and run and I scale the wall and jump and not even my house is a refuge because they, too, can jump.





VI
And the night again.
And while I went to bed I knew in that precise instant, in the house without windows or doors, Chavez would be filling the holes with the long boards and hiding the matches and the bags of cement. Chavez, in that very moment, would be running to the clocks to prevent the arrival of the devils.





VII
But they arrived all the same, and if not, why the look of fear on Chavez’s face the next time I saw him ?
He was enduring a different kind of hangover from the one that he got from alcohol.
I told him that we should do something, that perhaps there was a solution to it all, but he didn't understand. He hardly yawned and rubbed his eyes.
So I asked if wanted a few mates.
The house-keeper's face lit up and he said yes, why not.
"If I tell you something, Fede, you won't tell anyone, will you?"
"Of course not, Chavez!"
And while he had started to talk, I discovered those details of the house that I hadn't seen the previous day. For example, the internal bathroom.
Through the hole that the sliding door left half-open, you could visualize the clean tiles and a stylish lavatory. Chavez was serving a mate when I asked about the bathroom, and he told that it was already ready and that there was another one in the first floor.
"So why don't you use one of those bathrooms instead of going all the way to the back of the house?" I asked.
Chavez lowered his head and told me to please not interrupt.
And in the time that I put to the side a bag of concrete and a spatula, he continued with his story.
"I arrived from school and saw my mother with the Bible in her hand- she always had a Bible in her hand-, and I asked her if God was in everything."
"Ahh that was a very good question, Chavez!" I said while I gathered a few things from the kitchen floor. "How old were you?"
"I don't know, ten or twelve."
It was then that I discovered hundreds of matches scattered everywhere, on the table of the kitchen, on the floor, on the empty pieces of furniture in the cupboards, and almost all of them bitten.
Chavez, from some far away place, continued:
"My mother looked at me as though she was angry, and said she would send me to cata, cata, catasism, yes, because God was in heaven and not in everything. After that I asked if he was in the clouds, then”. I continued trying to organize the anarchy of small things. A shudder passed over my body. I decided to talk over the mate, so that I wouldn't think too much.
"And?"
"And she said yes."
While he talked, Chavez mimicked his mother’s face while she said:
"Yes, little boy, between the clouds… you just turned out to be stupid, that's all."
I saw the eyes of the house-keepers as they became the same ones as from that night, the one of his battle against the devil.
The two of us continued looking as the floor, and the mate started to get cold.
Later, after a little bit, during which the silence passed like the house’s blocks of cement outside, Chavez added:
"That hurt me a lot."
"What did, Chavez?"
"The stupid part, Fede, the stupid part! Listen, I have to tell you…
"Alright, Chavez, don't get upset,” I told him, "Do want a washed-out mate?" But Chavez didn't laugh. And I saw all of the chewed matches and trembled.



VIII
I went back to my house to have lunch, after I promised that I would see him again, later.
Was it possible that the owner of the house wouldn't let Chavez use the internal bathroom of the house?
I thought about it, and his story about his mother, while I ate.
And I also thought about that place, full of mystery and more passionate then mine. Because in my house everything was the same, and a chair was a chair and a table a table and the shadows softened and there were no entrances or exits to other worlds, not even a
latrine.
But the scream of Chavez and his face had been too much.
A few hours layer I returned to the house. He seemed happy, he always was during the day; it was when the light started to fade that his face changed.
"We have to cover the latrine, Chavez!" I said with enthusiasm.
"The what?" He asked. "Fede, you are completely crazy!"





IX
There was no time to loose, and so I looked for the bag of concrete and the spatula and I asked for a stick.
Chavez looked confusedly at me.
"Listen,” I said with conviction, “Now you won't have any more problems the devils, or by chance do they also come out the bathroom from the inside of the house."
Chavez didn't respond.
He submerged himself in silence and lowered his head.
The heat was smothering. I went to the little bathroom in the back and, behind me; Chavez brought the cement and a bucket.
When he arrived he asked me, almost ashamed:
"Fede, where am I going to…?”
"In the bathrooms in the inside, Chavez, where else?"
Our foreheads were soaked with sweat, in the meantime, I prepared the mixture without really knowing how to and Chavez witnessed everything with lost eyes.
I realized that his worry was because at any time he would have to explain the adulation of the bathroom.
When he started I started to cover the tureen with the mixture, I told him that he could give any number of excuses. But Chavez didn't respond.
"The devils are done!" I told him happily when the latrine, a few minutes later, was covered.
But the house-keeper kept looking fixedly at it, and I told myself that he wasn't thinking about the owner of the house or about what he would think about the closing of the hole.
I remember that I threw the stick to a side and stood back. The sun fell on the sheet roof of the bathroom and blinded us with the reflection. We stood there, one in front of the other, looking at each other, soaked and though we had dived into a strange ocean.



X
How can I explain what happened later?
Even the heat seemed to have given in to my grand solution. Sudden cold days and nights accompanied our talks of those times. Chavez seemed happy when the afternoon came, but he was still lost. He didn’t even look at, as he had before, the sky or the small bathroom in the back.
I was sure that Chavez, or the person he had been, was hiding something from me.
One day, while we were playing cards, he told me that he had found another job. I had noticed more frenzy in his voice when he had won the hand.
“I’m going to look alter a house in Martinez,” he told me.
I remember that that night we stayed up talking until the late hours of the night.
But when he left-I can still see him going with that giraffe’s walk- my solitude began.
My days weren’t short anymore, and once again I went into the room that had been Chavez’s. And I found a forgotten picture on the bedside table of without a lamp where a woman with a Bible in her hand hugged a boy with eyes like eggs and almost afraid. And that woman was the same one that I had seen that night in that same room where frightening images had assaulted me so abruptly, the same images that were assaulting me at that moment, again, and it wasn’t Chavez who was being attacked by the malice of the devils but me. There I was stunned by laughs and cackles and matches everywhere and that must be why I started to run again and run run run run, repeating the perverse cycle that I was fleeing from, and before jumping over the patrician wall I go to the bathroom at the back and I want to stop myself but I can’t and I don’t want to look but I do and I see that the material that I put in the latrine set and liquefied and drained down below leaving the hole open, and the flies hundreds of flies surround me and I scream scream with the same intensity that Chavez screamed that night of battle, and I jump over the wall I jump with the ability of those who escape from desperation but all the same it continues to get dark. That must be why now I am setting back the clocks all over the house, in the bedroom, in the kitchen, right now one by one, right now I don’t want night to come. I don’t want it to come. I don’t. No.